TITLE: Fasnet “Sepp” Mask
TYPE: face mask
GENERAL REGION: Europe
COUNTRY: Germany
SUBREGION: Oberammergau
ETHNICITY: Swabian
DESCRIPTION: “Sepp” Character Mask
CATALOG ID: EUDE002
MAKER: Josef-Christian Albl (Oberammergau, 1955- )
CEREMONY: Fasnet (Carnival)
AGE: 2012
MAIN MATERIAL: linden wood
OTHER MATERIALS: paint

In many parts of Swabia and Bavaria, Carnival (usually called Fasnet, Fastnet, or Fasnacht in this region of Germany) is celebrated with parades of masked clowns (Narren).  The clown parade (NarrenlaufenNarrensprung or Narrenzunft) is organized by guilds, all members of which wear similar kinds of costumes and masks.  Each town has its own guilds, with some overlap in styles of Narro.  Their purpose is to usher in the spring with joy and laughter.

Some carnival masks are not part of Narro guilds, but are unique to the individual wearing them.  This specific mask was made by master carver Josef Albl, who traces his remarkable family history of wood carvers back to 1556.  It represents a character invented by Albl with a slightly comical expression.

Regrettably, the best texts on Carnival in Bavaria and Swabia are still available in German only: Heinz Wintermantel’s Hoorig, hoorig isch die Katz (Würzburg: Konrad Theiss, 1978) and Dick Eckert’s Die Werdenfelser Fasnacht und ihre Larven (Volk Verlag München, 2015).

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TITLE: Fasnet Fratz
TYPE: face mask
GENERAL REGION: Europe
COUNTRY: Germany
SUBREGION: Swabia
ETHNICITY: Swabian
DESCRIPTION: Schuttig Fratz (rascal) mask
CATALOG ID: EUDE015
MAKER: Unknown maker in Elzach
CEREMONY: Fasnet (Carnival)
AGE: 1960s-1970s
MAIN MATERIAL: wood
OTHER MATERIALS: paint; leather straps and hardware

In many parts of Swabia and Bavaria, Carnival (usually called Fasnet or Fastnet in this region of Germany) is celebrated with parades of masked clowns (Narren).  The clown parade (NarrenlaufenNarrensprung or Narrenzunft) is organized by guilds, all members of which wear similar kinds of costumes and masks.  Each town has its own guilds, with some overlap in styles of Narro.  Their purpose is to usher in the spring with joy and laughter.

Carnival in Elzach extends back at least to 1530 century, and uses a variety of traditional masks, or larve, such as the longnose (Langnase), fox (Grfrisse), and devil (Teufel).  This specific mask, representing the classic Fratz, meaning rascal or brat, who may appear in brown or black and wears a brightly-colored costume with a large triangular hat, often decorated with snail shells.

Regrettably, the best texts on Carnival in Bavaria and Swabia are still available in German only: Heinz Wintermantel’s Hoorig, hoorig isch die Katz (Würzburg: Konrad Theiss, 1978) and Dick Eckert’s Die Werdenfelser Fasnacht und ihre Larven (Volk Verlag München, 2015).

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TITLE: Carnival Character
GENERAL REGION: Latin America
COUNTRY: Guatemala
SUBREGION: Unknown
ETHNICITY: Mayan
DESCRIPTION: Wood Carnival character mask
CATALOG ID: LAGT031
MAKER: Unknown
CEREMONY: Carnival
AGE: 1950s
MAIN MATERIAL: hardwood
OTHER MATERIALS: paint

The Carnival is celebrated throughout Guatemala with masks having religious, historical, and political themes, but masks representing animals or poking fun at prominent villagers are also common.  This mask, skillfully carved from hardwood in the 1950s to represent a furious bearded man, uses subtle paints in a style very uncommon in Guatemala. It is unknown whether the maker was targeting a specific individual or merely trying to provoke laughs by the contrast between the angry character and the merry atmosphere of Carnival.

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TITLE: Diablesa Mask
TYPE: face mask
GENERAL REGION: Latin America
COUNTRY: Bolivia
SUBREGION: Oruro
ETHNICITY: Quechua and Aymara
DESCRIPTION: Diablesa (female devil) mask
CATALOG ID: LABO006
MAKER: Unknown
CEREMONY: Carnival (La Diablada)
AGE: 1970s
MAIN MATERIAL: tin sheet
OTHER MATERIALS: paint; polyester fibers; foam rubber

The Diablada (Dance of the Devils) is an annual ceremony in several towns in the Altiplano region of Bolivia, Peru, and northern Chile, usually incorporated into Carnival.  The dance includes both male and female devils dancing in a group led by the Archangel Michael.

This mask represents a diablesa (female devil), made from recycled tin, spray painted and hand finished. The costume of the diablesa in Oruro is usually elaborately decorated and somewhat revealing, although the character may be danced by a man or a woman.

For more on Bolivian masquerade, see Peter McFarren ed., Masks of the Bolivian Andes (La Paz: Editorial Quipus/Banco Mercantil SA, 1993).

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TITLE: Vampiro (Diablo)
TYPE: mask
GENERAL REGION: Latin America
COUNTRY: Mexico
SUBREGION: Michoacán
ETHNICITY: Purépecha
DESCRIPTION: Vampiro-Diablo (vampire-devil) mask
CATALOG ID: LAMX053
MAKER: Federico Eduardo Sierra Morales (Tocuaro)
CEREMONY: Pastorela
AGE: 2015
MAIN MATERIAL: wood
OTHER MATERIALS: paint

The Pastorela drama of Michoacán reenacts the the mythical journey of the three wise men to visit Jesus of Nazareth at his birth.  It is commonly performed around Christmastime and involves several masked characters, including hermits, Maringuilla (Mary), comic characters, and the Diablo (Devil). The Devil plays a key dramatic role as he attempts to impede the wise men from reaching Bethlehem.

The maker of this specific mask, master artisan Federico Sierra of Tocuaro, chose to name this mask Vampiro (vampire), but it represents the Devil character in the play.

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TITLE: Chokwe Bird Mask
TYPE: crest mask
GENERAL REGION: Africa
COUNTRY: Angola
ETHNICITY: Chokwe
DESCRIPTION: Bird Initiation Mask
CATALOG ID: AFAO001
MAKER: Unknown
CEREMONY: Initiation; Spirit Invocation
AGE: ca. 1980s-1990s
MAIN MATERIAL: wood
OTHER MATERIALS: string

The populous Chokwe people of Angola, the Democratic Republic of Congo, and Zambia are known as some of the most skilled wood carvers in Africa. They resisted colonization far longer than most peoples of the region, despite repeated incursions by the Portuguese and other Europeans.

The Chokwe use masks in many contexts. Animal masks like this one are used most often in initiation rituals to recount tribal stories and proverbs to teach young adults social mores and customs. They are also used in preparation for hunting in order to invoke the spirit of the sharp-eyed bird. The articulated jaw adds realism to the performance by allowing the masquerader to mimic the bird’s beak movements.

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TITLE: Baga Ancestor Mask
TYPE: helmet mask
GENERAL REGION: Africa
COUNTRY: Guinea
ETHNICITY: Baga
DESCRIPTION: Ancestor mask with large figure on head
CATALOG ID: AFGN001
MAKER: Unknown
CEREMONY: Unknown
AGE: ca. 1940s
MAIN MATERIAL: wood
OTHER MATERIALS: N/A

The Baga people of the Guinea swamp lands traditionally maintained animist beliefs revolving around a creator god named Kanu, until most were converted to Islam following the introduction of colonialism in West Africa. For a period, the Baga mingled Islamic with animist traditions.  They were governed by traditional lineages and the Simo Initiation Society.  Their best known masks from this period were relatively abstract. Large shoulder masks (N’mba) representing women, and or tall snake spirits (Bansonyi) were used in Simo Society initiation rituals, funerals, weddings, and other major social events.

At independence in 1958, the new Islamic-Marxist Guinea government tried to extinguish Baga cultural identity, and masking traditions all but disappeared until 1984, when a coup liberalized the country. Many members of Baga society began reintroducing animist rituals, but much of the old culture has been lost. Virtually nothing is known about ancestor masks such as this one.

For more on Baga masking traditions, see Frederick Lamp, Art of the Baga: A Drama of Cultural Reinvention (New York: Museum for African Art, 1996).

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TITLE: Waq’ollo Mask for Alcalde
TYPE: hood mask
GENERAL REGION: Latin America
COUNTRY: Peru
ETHNICITY: Quechua
DESCRIPTION: White llama wool Waq’ollo for Alcalde (Mayor) of the Qhapaq Q’olla
CATALOG ID: LAPE001
MAKER: Unknown
CEREMONY: Qoyllur Rit’i; Corpus Christi
AGE: 1940s
MAIN MATERIAL: dyed and knitted lama wool
OTHER MATERIALS: N/A

In the Altiplano of Bolivia and Peru, the Quechua and Aymara descendants of the Incans still celebrate Qoyllur Rit’i, the Snow Star Festival in late May or early June to hale the reappearance of the Pleiades constellation and the harvest. Although the Catholic Church has attempted to co-opt the event, it maintains its essentially pre-Spanish conquest character.  Pilgrims from around Peru assemble in the Sinakara Valley in various costumes to dance in celebration. The Qhapaq Q’olla (“mighty Indian”) is one such character, dancing in the waq’ollo mask shown here with a hat, woven sling and a dried vicuña skin. Supposedly they represent a merchant who is half human and half llama, and who brings goods to the Cusco region for sale from the jungle and Paucartambo region, such as pisco liquor. Their roles are primarily that of clown, but they also dance and sing to the Virgin of Paucartambo. They sometimes wear a square flat hat called an aqarapi, and dance in a group.  The group is composed of a Mayor (alcalde), who carries a wooden staff of authority and a black crucifix on his mask, as here; and his wife (la Imilla); a child (q’ollita); two captains; a llama herder (llamero), who wanders into the crowd to pretend to sell his goods; and a group of q’ollas dancing in two rows.  The imilla has a face covered by a black veil.  Qhapaq Q’olla also dance at Corpus Christi parades in Cusco and other religious celebrations.

The q’ollas, aligned according to their age, dance together, led by the captains. Sometimes children called chanako accompany them as well. The musical ensemble that accompanies them consists of a violin, an accordion, a bass drum and several Quena performers.  The q’ollas are always men born in Paucartambo. The costume consists of a flat, rectangular hat (aqarapi) decorated with sequins, old coins or beads; the waq’ollo; a lliclla skin made of vicuña wool, and the qepi that contains a young dead vicuña.  the dance, the collas sing Quechua songs about their commercial activity, their journey to Cusco, and their protective saints.


Click above to watch a short documentary on Corpus Christi in Cusco, Peru.

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TITLE: Halloween Skeleton Mask
TYPE: face mask
GENERAL REGION: North America
COUNTRY: United States of America
ETHNICITY: Mixed
DESCRIPTION: Buckram skull mask
CATALOG ID: NAUS022
MAKER: Unknown
CEREMONY: Halloween
AGE: 1940s
MAIN MATERIAL: dyed buckram
OTHER MATERIALS: paint

Halloween is one of the major secular festivals in the United States, celebrated on October 31st each year.  It originated in pre-Christian times, possibly among the ancient Celts, who practiced Samhain in late fall by wearing frightening costumes and lighting bonfires in mid-autumn to scare away ghosts. In the eighth century, Pope Gregory III declared November 1st as a day to honor all the saints collectively. The celebration prior to this All Saints Day became known as All Hallows’ Eve (hence the shortened name, All Hallowe’en, eventually elided to Halloween), and involved many of the same traditions practiced by the Celts.

Halloween formerly had many traditions that varied by region.  In modern and relatively homogenized practice, Halloween generally has three main components: costumed parties, “trick-or-treating,” and haunted houses.  Costumed parties are the modern descendant of social activities designed to honor the saints and create solidarity in the community. Children’s parties typically involved games with prizes, such as bobbing for apples and carving pumpkins and other relatively dry squash into frightening “jack-o-lanterns” with candles inside for illumination.  Adult parties commonly involve less innocent games and elaborate decorations to create a scary mood.

Trick-or-treating is the children’s practice of wearing scary costumes to extort candy and other sweets from neighbors. Like roaming goblins, the monsters visiting the house would demand a treat or threaten to play a nasty trick on the neighbor. The threat is of course a formality, as sharing candy with trick-or-treaters is considered a mandatory practice for friendly and community-spirited neighbors. In modern practice, many children have abandoned the tradition of wearing frightening costumes and have leaned toward fantasy characters such as superheroes, princesses, and fairies.

Haunted houses are a relatively modern innovation.  They may be designed and staffed by volunteers or for profit, and generally take the form of a decrepit mansion haunted by ghosts, mad scientists, monsters, the walking dead, etc. The idea is to inspire terror and wonder in a factually safe environment.

In addition, many Americans celebrate by watching horror movies (the release of which Hollywood times to coincide with the Halloween season), and in some regions, most notably Greenwich Village, Manhattan in New York and Salem, Massachusetts, major costumed parades are organized each year.  In many cities, “zombie walks” composed of masses of costumed zombies have been organized as well.

Popular masks and costumes include devils, zombies, skeletons, vampires, werewolves, mummies, witches, pirates, political figures, and characters from popular culture, such as Frankenstein’s monster. However, Halloween costumes can include almost anything, including inanimate objects and abstractions.  The choice is limited only by the imagination of the masquerader.  Masks and costumes depicting offensive racial stereotypes, popular prior to the 1980s, are no longer widely used.

This specific mask, representing a skull, was made from dyed buckram, moistened and dried over a form, then hand painted with details. Such mass-produced masks were popular among the middle class in the 1920s to 1950s, when they were replaced by vacuformed plastic.

For more on 20th century American Halloween costumes, see Phyllis Galembo, Dressed for Thrills: 100 Years of Halloween Costumes and Masquerade (New York: Harry N. Abrams Inc., 2002).

Click above to watch a documentary about Halloween in the United States.

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TITLE: Kwele Ekuk
TYPE: face mask
GENERAL REGION: Africa
COUNTRY: Gabon
ETHNICITY: Kwele
DESCRIPTION: Ekuk Plank Mask
CATALOG ID: AFGA002
MAKER: Unknown
CEREMONY: Be’ete Society
FUNCTION: Adult Initiation; Funeral; Protection; Spirit Invocation
AGE: 2015
MAIN MATERIAL: wood
OTHER MATERIALS: kaolin clay

The Kwele, also known as Kwese, people of Gabon and the Democratic Republic of Congo now live between the Dja and Ivindo rivers. Social control is exercised by the Be’ete (or Bwete) Secret Society, which uses masks to adult initiation rituals, funerals, and protection of the village from malicious spirits.  The masks embody protective bush spirits, with the antelope a dominant presence among them.  Kaolin clay is nearly always used in Kwele masks, because its white color has spiritual meaning to the Kwele.

This specific mask represents an ekuk, or forest spirit.

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