TITLE: K’achampa Mask
TYPE: face mask
GENERAL REGION: Latin America
COUNTRY: Peru
SUBREGION: Cusco
ETHNICITY: Quechua
DESCRIPTION: K’achampa Mask
CATALOG ID: LAPE007
MAKER: Unknown
CEREMONY: K’achampa Dance
AGE: 1980s
MAIN MATERIAL: wire mesh
OTHER MATERIALS: paint; steel strips

The k’achampa dance is performed throughout the central mountains of Peru to the accompaniment of martial music. The characters include a leader (caporal), soldiers, and children. The dance is performed for different purposes in different parts of Peru. In Cusco, it is performed during Corpus Christi.  In Paucartambo, it is usually part of the Fiesta de la Virgen de Carmen in mid-July. In Ollantaytambo, it is performed at the Feast of the Pentecost on January 6. In all cases, the mask is worn with a costume consisting of an elaborately decorated flat-topped hat or ch’ullu (traditional Andean wool hat with earflaps), a vest with mirrors and bells, a white shirt, black tie, white gloves, black shorts, and vest and dress coat. The masqueraders may also carry a slingshot. The dance is thought to be Incan in origin and to relate to war rituals.


Click above to watch a short documentary on Corpus Christi in Cusco, Peru.

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TITLE: Halloween Dracula Mask
TYPE: face mask
GENERAL REGION: North America
COUNTRY: United States of America
SUBREGION: Northeast
ETHNICITY: Mixed
DESCRIPTION: Don Post Dracula (Vampire) Mask
CATALOG ID: NAUS073
MAKER: Rubie’s Costume Co., New York City
CEREMONY: Halloween
AGE: 1991
MAIN MATERIAL: styrene plastic
OTHER MATERIALS: paint; steel staples; elastic band

Halloween is one of the major secular festivals in the United States, celebrated on October 31st each year.  It originated in pre-Christian times, possibly among the ancient Celts, who practiced Samhain in late fall by wearing frightening costumes and lighting bonfires in mid-autumn to scare away ghosts. In the eighth century, Pope Gregory III declared November 1st as a day to honor all the saints collectively. The celebration prior to this All Saints Day became known as All Hallows’ Eve (hence the shortened name, All Hallowe’en, eventually elided to Halloween), and involved many of the same traditions practiced by the Celts.

Halloween formerly had many traditions that varied by region.  In modern and relatively homogenized practice, Halloween generally has three main components: costumed parties, “trick-or-treating,” and haunted houses.  Costumed parties are the modern descendant of social activities designed to honor the saints and create solidarity in the community. Children’s parties typically involved games with prizes, such as bobbing for apples and carving pumpkins and other relatively dry squash into frightening “jack-o-lanterns” with candles inside for illumination.  Adult parties commonly involve less innocent games and elaborate decorations to create a scary mood.

Trick-or-treating is the children’s practice of wearing scary costumes to extort candy and other sweets from neighbors. Like roaming goblins, the monsters visiting the house would demand a treat or threaten to play a nasty trick on the neighbor. The threat is of course a formality, as sharing candy with trick-or-treaters is considered a mandatory practice for friendly and community-spirited neighbors. In modern practice, many children have abandoned the tradition of wearing frightening costumes and have leaned toward fantasy characters such as superheroes, princesses, and fairies.

Haunted houses are a relatively modern innovation.  They may be designed and staffed by volunteers or for profit, and generally take the form of a decrepit mansion haunted by ghosts, mad scientists, monsters, the walking dead, etc. The idea is to inspire terror and wonder in a factually safe environment.

In addition, many Americans celebrate by watching horror movies (the release of which Hollywood times to coincide with the Halloween season), and in some regions, most notably Greenwich Village, Manhattan in New York and Salem, Massachusetts, major costumed parades are organized each year.  In many cities, “zombie walks” composed of masses of costumed zombies have been organized as well.

Popular masks and costumes include devils, zombies, skeletons, vampires, werewolves, mummies, witches, pirates, political figures, and characters from popular culture, such as Frankenstein’s monster. However, Halloween costumes can include almost anything, including inanimate objects and abstractions.  The choice is limited only by the imagination of the masquerader.  Masks and costumes depicting offensive racial stereotypes, popular prior to the 1980s, are no longer widely used.

This specific mask was mass produced by a process known as vacuform molding. Sheets of heated styrene plastic are placed over a three-dimensional mold and a vacuum sucks out the air, forming the plastic to the mold. The mask is then cut out, machine painted, and an elastic band is stapled to the mask. The process is exceedingly fast and inexpensive, making the mask very popular with the overwhelming majority of Americans from the late 1950s to today.

For more on 20th century American Halloween costumes, see Phyllis Galembo, Dressed for Thrills: 100 Years of Halloween Costumes and Masquerade (New York: Harry N. Abrams Inc., 2002).

Click above to watch a documentary on Halloween in the United States.

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TITLE: Tastoan Perro
TYPE: face mask
GENERAL REGION: Latin America
COUNTRY: Mexico
SUBREGION: Jalisco
ETHNICITY: Nahua
DESCRIPTION: Perra (female dog) mask for the Tastoanes dance
CATALOG ID: LAMX045
MAKER: Ubaldo Macías Bernabe, Tonalá (1972- )
CEREMONY: Fiesta de Santiago el Apostól
AGE: 2017
MAIN MATERIAL: leather
OTHER MATERIALS: acrylic paint; lacquer; glue paste; wire; thread; elastic bands; goat hair; ixtle fiber

In parts of Jalisco and Zacatecas, the holiday in honor of Santiago el Apostól (St. James the Apostle) is held every 25th of July. Celebrants carry spears and dress in long pants, leather chaps, and boots, with demonic masks made of wood (Zacatecas) or molded leather (Jalisco) covered with a montera (headdress) of goat hair, horse hair, or plant fiber. The festival commemorates a battle between the indigenous warriors of the area and conquistadors. The appearance of the tastoanes, who represent indigenous warriors, conveys their ferocity through sharp teeth, large noses, and snakes, lizards, scorpions and spiders for decorations.

During the celebration, tastoanes and either three kings wearing ceramic masks or three Aztec priestesses (one representing the Tonaltec queen Tzapotzintli, also known as Tzuapili oor Cihualpilli) carry an image of St. James along a parade route and dance to music carrying swords or whips, after which they make defiant speeches and engage in a mock battle (jugada) with a participant carrying a whip who represents St. James. At the beginning of the battle, the tastoanes carry in St. James as a prisoner and torture him, but he is rescued by his dog (perro), which this mask represents. The dog drives away the tastoanes with a stick and assists St. James, afterward supplying him with new sticks as he breaks them on the bodies of tastoanes. In most performances, the dog dies in the course of the battle. Nonetheless, at the end, all the tastoanes die and St. James is victorious. In some towns, an organization such as a Cofradía de Santo Santiago (Fraternity of St. James) organizes the event.

This specific mask was made by the award-winning craftsman Ubaldo Macías of Tonalá.

Click above to watch a short documentary about the tastoanes of Tonalá, Mexico.

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TITLE: Tsam Damdinchoijoo
TYPE: helmet mask
GENERAL REGION: Asia
COUNTRY: Mongolia
ETHNICITY: Mongol
DESCRIPTION: Damdinchoijoo (Yama) Mask
CATALOG ID: ASMN001
MAKER: Gankhuyag (GanNa) Natsag (Ulaanbaatar, 1961- )
CEREMONY: Ikh Khuree Tsam Dance
AGE: ca. 1980s
MAIN MATERIAL: paper maché
OTHER MATERIALS: plaster; paint; cloth; cotton wadding; tempera paint; lacquer

The Hindu-Buddhist Tsam dance crossed the Himalayas from India in the late medieval age and became a popular ritual in northern India and throughout Nepal, Bhutan, and Tibet.  From Tibet, it reached Mongolia in the early nineteenth century and was soon adopted by Buddhist monasteries there.  The dance is performed on major religious holidays to invoke protective spirits and purify the region of evil influences.

This mask represents Damdinchoijoo, also known as Yama, the god of death, who judges whether the dead descend to the underworld to rise to paradise. In Hindu-Buddhist mythology, he is the son of Kali, the Hindu goddess of death. In the Tsam dance, he holds a magical weapon resembling a skeleton and a bowl made from a human skull.

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TITLE: Hawaiian Makini
TYPE: face mask; accessory
GENERAL REGION: Oceania
COUNTRY: Hawaiian Kingdom (presently in the United States of America)
SUBREGION: Hawaiian Islands
ETHNICITY: Polynesian (Hawaiian)
DESCRIPTION: Makini Helmet Mask and Gourd Rattle
CATALOG ID: OCUS001
MAKER: Unknown
CEREMONY: Makahiki
FUNCTION: Agriculture
AGE: late 20th century
MAIN MATERIAL: gourd
OTHER MATERIALS: raffia fiber; rooster feathers

Before the conquest of the Hawaiian Islands, members of the priestly caste wore helmets like this one to honor the god Lono, who conferred fertility on the land, and at the Makahiki harvest festival. It may also have been worn by the Warrior Society that protected the chief. This mask is a reproduction; the original masks would have had a crest made of sedge leaves and the strips at the bottom would have been made of tapa (cloth made from the pounded bark of trees).

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TITLE: Pee Ta Khon
TYPE: helmet mask; costume
GENERAL REGION: Asia
COUNTRY: Thailand
SUBREGION: Dan Sai
ETHNICITY: Thai
DESCRIPTION: Pee Ta Khon (Ghost) Mask and Costume
CATALOG ID: ASTH006
MAKER: Teerawat “Aob” Chueaboonmee, Dan Sai
CEREMONY: Pee Ta Khon (Ghost Festival)
AGE: 2010
MAIN MATERIAL (mask): palm spathe
OTHER MATERIALS (mask): oil paint; wood; sawdust paste; rattan; dyed polyester fabric; polyethylene rope; tin bells
MATERIALS (costume): dyed polyester fabric; stitching; polypropylene rope; tin bells

The Pee Ta Khon, also spelled Phi Ta Khon, is an annual ceremony held solely in Dan Sai, Thailand, over a three-day period between March and July. The precise date of the festival is determined by the town’s spiritual mediums. It is part of a larger Buddhist celebration known as Bun Luang or Bun Phawet, intended to earn spiritual merit for its participants.

On wan ruam (assembly day), the ghosts congregate and invite protection from the spirit of the Mun River on which Dan Sai sits. The ghosts then hold a series of games and a procession, symbolizing the festivities that followed the return of the Buddha after a long absence during which he was presumed dead.

In addition to the elaborate masks, which mingle the ferocious with the comedic, the ghosts where patchwork costumes, belts with bells, and carry a palad khik (giant wooden phallus), which they wave at females in the audience in token of fertility.

This specific mask and costume were used for three years in Pee Ta Khon celebrations in Dan Sai, from 2010 to 2013.

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TITLE: Tastoan (Child’s) Mask
TYPE: face mask
GENERAL REGION: Latin America
COUNTRY: Mexico
SUBREGION: Jalisco
ETHNICITY: Nahua
DESCRIPTION: Blue tastoan mask with white hair for a child
CATALOG ID: LAMX046
MAKER: Jesús “Don Chuy” Delgado Navarro, Tonalá (1956- )
CEREMONY: Fiesta de Santiago el Apostól
AGE: 2007
MAIN MATERIAL: leather
OTHER MATERIALS: cow teeth; animal bone; acrylic paint; lacquer; glue paste; wire; thread; horse hair; woven plant fiber helmet

In parts of Jalisco and Zacatecas, the holiday in honor of Santiago el Apostól (St. James the Apostle) is held every 25th of July. Celebrants carry spears and dress in long pants, leather chaps, and boots, with demonic masks made of wood (Zacatecas) or molded leather (Jalisco) covered with a montera (headdress) of goat hair, horse hair, or plant fiber. The festival commemorates a battle between the indigenous warriors of the area and conquistadors. The appearance of the tastoanes, who represent indigenous warriors, conveys their ferocity through sharp teeth, large noses, and snakes, lizards, scorpions and spiders for decorations. This mask has images of the mythical creatures nahual and nahuala, half jaguar and half human, who symbolize the ferocity of the Tonaltecs. In some cases, the masks are dotted to convey the transmission of diseases such as smallpox and syphilis from the Spaniards to the indigenous peoples.

During the celebration, tastoanes and either three kings wearing ceramic masks or three Aztec priestesses (one representing the Tonaltec queen Tzapotzintli, also known as Tzuapili oor Cihualpilli) carry an image of St. James along a parade route and dance to music carrying swords or whips, after which they make defiant speeches and engage in a mock battle (jugada) with a participant carrying a whip who represents St. James.  At the end of the battle, all the tastoanes die and St. James is victorious. In the past, all tastoanes were male, but recently women have begun to participate as well.  In some towns, an organization such as a Cofradía de Santo Santiago (Fraternity of St. James) organizes the event.

This specific mask was made for a child by the award-winning craftsman and tastoan mayor, “Don Chuy” Delgado of Tonalá, and danced by his grandson Moises for nine years. It was painted using pigments that fluoresce under ultraviolet light, such as sunlight or a black light.

Click above to watch a short documentary about the tastoanes of Tonalá, Mexico.

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TITLE: Sumba Island Mask
TYPE: face mask
GENERAL REGION: Oceania
COUNTRY: Indonesia
SUBREGION: Less Sunda Islands (Sumba Island)
ETHNICITY: Melanesian (Sumbese)
DESCRIPTION: Ancestor Mask
CATALOG ID: OCID010
MAKER: Unknown
FUNCTION: War Preparation (?)
AGE: ca. 1950s
MAIN MATERIAL: wood
OTHER MATERIALS: boar bristles; animal teeth

The Sumbese people of Sumba Island are a Melanesian-Austronesian people who continue to practice the Marapu animistic religion. This mask probably represents an ancestor of the maker and probably served the purpose of war preparation. However, very little is known about masking traditions in this region.

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TITLE: Boruca Warrior Mask with Jaguar
TYPE: face mask
GENERAL REGION: Latin America
COUNTRY: Costa Rica
SUBREGION: Reserva Rey Curré, Puntarenas
ETHNICITY: Boruca
DESCRIPTION: Warrior Mask with Jaguar
CATALOG ID: LACR006
MAKER: Melvin González Rojas (Puntarenas, 1978- )
CEREMONY: Cagrúv Rójc (Fiesta de los Diablitos)
AGE: 2012
MAIN MATERIAL: balsa wood
OTHER MATERIALS: paint

The Boruca people mostly inhabit two reservations in the Puntarenas Province of Costa Rica. Technically, many persons classified as Boruca are members of neighboring indigenous peoples, such as the Coto and Quepo people, who have banded with the Boruca to preserve their traditions and relative independence. Their best known holiday is the Fiesta de los Diablitos (Festival of the Little Devils), properly called Cagrúv Rójc in the Boruca langauge, and held from December 30th to January 2nd each year. The ceremony represents a major community event and a retelling of the Spanish conquest of the Boruca people (represented by masked forest spirits known as diablos, but actually representing indigenous warriors).  All masqueraders are men. The diablos begin parading in the morning at the direction of an elder devil, el Diablo Mayor, representing the glory of the Boruca culture before the conquest.  On January 1st, a masquerader in a toro (bull) mask enters the festivities to represent the invading Spanish. The toro chases the diablos about the village. Although the diablos resist, the toro ultimately knocks down all the diablos, representing the Spanish victory.  Afterward, the diablos return to life, sending the toro into hiding while they hunt him with the help of a masquerader posing as a dog. Ultimately they find, capture, and symbolically burn the toro, signifying the end of the festival. The toro mask is not burned, but saved for the subsequent year’s ritual.

Click above to watch a short documentary film about the Cagrúv Rójc ceremony of the Boruca people.

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TITLE: Bozo Fish Puppet Mask
TYPE: face mask
GENERAL REGION: Africa
COUNTRY: Mali
ETHNICITY: Bozo
DESCRIPTION: Sogo Ba yellow fish puppet crest mask
CATALOG ID: AFML007
MAKER: Unknown
CEREMONY: Sogo Ba
FUNCTION: Entertainment; Social Status
AGE: early 2000s
MAIN MATERIAL: wood
OTHER MATERIALS: paint; cloth; hardware

The Bozo people of Mali inhabit the area along the Niger River and live predominantly by fishing. Many have been converted to Islam, but they nonetheless maintain animist beliefs and masking traditions today. Unlike other west and central African peoples, however, the Bozo do not use masks for important spiritual functions so much as for entertainment.  Masks and associated puppets (sometimes, the two are combined) entertain the village and raise the dancer’s social status through demonstrations of skill in mask making and dancing. The Sogo Ba ceremony is a masquerade of puppets danced by groups of young men who tell stories to music for the education and entertainment of the public. Fish puppet masks are especially popular with the Bozo, because fishing is crucial to the Bozo economy.

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