TITLE: Fasnet Federahannes Mask
TYPE: face mask
GENERAL REGION: Europe
COUNTRY: Germany
SUBREGION: Swabia
ETHNICITY: Swabian
DESCRIPTION: Federahannes (Feather Jack) Narro
CATALOG ID: EUDE014
MAKER: Helmut Kramer (Rottweil, 1931-2016)
CEREMONY: Fasnet (Carnival)
AGE: 1967
MAIN MATERIAL: wood
OTHER MATERIALS: gesso; oil paint; horsehair; satin ribbons; dyed cotton thread

In many parts of Swabia and Bavaria, Carnival (usually called Fasnet or Fastnet in this region of Germany) is celebrated with parades of masked clowns (Narren).  The clown parade (Narrensprung) is organized by guilds, all members of which wear similar costumes and masks.  Each town has its own guilds, with some overlap in styles of Narro.  Like this one, most are creepy in an inimitably Germanic way. Their purpose is to usher in the spring with joy and laughter.

Carnival in Rottweil extends back at least to the 16th century, and the Federahannes, or “Feather Jack,” is a longstanding character in the Fasnet of Rottweil. They appear in white shirts and gloves; a wool jacket and pants in brown, red, blue, and green motley; and a black bow tie. The Federahannes also wears a black horsehair wig (Rosshaarkranz) with ribbons to satirize vanity, with a black tricorn hat. The pants and jacket are covered in goose feathers (hence the name), and he has a pair of ornamental goose wings. The Federahannes carries a 2-meter vaulting pole that he uses to jump around acrobatically, apparently conveying the idea that the fool believes that by wearing bird feathers, he can fly.

This specific mask was carved by the late master, Helmut Kramer of Rottweil.

Regrettably, the best texts on Carnival in Bavaria and Swabia are still available in German only: Heinz Wintermantel’s Hoorig, hoorig isch die Katz (Würzburg: Konrad Theiss, 1978) and Dick Eckert’s Die Werdenfelser Fasnacht und ihre Larven (Volk Verlag München, 2015).

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TITLE: Yao Shaman Mask
TYPE: face mask
GENERAL REGION: Asia
COUNTRY: China
SUBREGION: Yunnan
ETHNICITY: Yao
DESCRIPTION: Shamanic Mask
CATALOG ID: ASCN011
MAKER: Unknown
CEREMONY: Shamanic rituals
FUNCTION: healing; hunting; protection; spirit invocation
AGE: ca. 1910s
MAIN MATERIAL: charred wood
OTHER MATERIALS: N/A

The Yao people inhabit southern China and northern Vietnam, with small enclaves in Thailand, Burma, and Laos. They have syncretic Daoist and animist religious beliefs. Yao shamans use wooden masks to invoke god spirits for protection or successful hunting expeditions. Shamans may also use the masks to heal the sick.

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TITLE: Iroquois False Face Mask
TYPE: face mask
GENERAL REGION: North American
COUNTRY: Canada
SUBREGION: Ontario
ETHNICITY: Iroquois (Onandaga)
DESCRIPTION: Broken Nose False Face Mask
CATALOG ID: NACA006
MAKER: Gene Thomas, Wolf Clan (Six Nations Reserve, Ontario, 1958- )
CEREMONY: Divination; Healing; Purification; Secret Society
AGE: 2010
MAIN MATERIAL: white pine wood
OTHER MATERIALS: copper sheet; horse hair; paint

The Mohawk people (Kanien’kehá-ka) belong to the Iroquois League (Haudenosaunee) and historically inhabited western New York state, as well as parts of Quebec and Ontario, before being displaced by Dutch and British settlers.  They maintain tribal lands in Ontario and Quebec today, reserved by treaty.

Most Iroquois nations, including the Onandaga, had three medicine societies, one of which was the False Face Society.  It is probably no longer a secret society, because although its membership is limited to initiates who have been cured by the Society or had an important dream, most persons in modern Iroquois communities are apparently aware of the Society’s membership.

Among the important rituals of the False Face Society are village purification of diseases, the healing of sick persons, and facilitation of dream fulfillment during the midwinter festival. The masks worn by the Society take a variety of forms, mostly with blowing lips to blow healing ashes on a sick patient.  The copper eyes convey the spirituality of the mask.

For more on Iroquois masking traditions, see William N. Fenton, The False Faces of the Iroquois (University of Oklahoma Press, 1987).

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TITLE: Mardi Gras Timber Wolf
TYPE: face mask
GENERAL REGION: North America
COUNTRY: United States of America
SUB-REGION: New Orleans, Louisiana
ETHNICITY: Mixed
DESCRIPTION: Leather timber wolf mask
CATALOG ID: NAUS068
MAKER: Andrea Masse, Tonawanda, New York (1965- )
CEREMONY: Mardi Gras; fantasy
AGE: 2013
MAIN MATERIAL: leather
OTHER MATERIALS: acrylic paint; vinyl cord

In Catholic practice, Mardi Gras (“Fat Tuesday”) is the last day of celebration of Carnival before the fasting period of Lent. In the United States, the holiday is nowhere more vigorously celebrated than in New Orleans, Louisiana. There, a two-week Carnival season terminating on Mardi Gras is celebrated with parades composed of elaborate costumes and masks, floats, marching bands, all organize by private “krewes” composed of public-spirited citizens dedicated to preserving the Mardi Gras tradition. Krewes tend to have a fairly constant structure of officers, who frequently ride horseback in handsome costumes and white draped masks, float riders who chuck “throws,” or small gifts such as plastic beaded necklaces, toys, or mementos (usually with the krewe’s name and insignia) into the cheering crowds, and a guest “king” and “queen” of the krewe.

Mardi Gras in New Orleans is also typically celebrated with formal balls held by the krewes in honor of the king and queen, and to celebrate the season.  Mask wearing among street celebrants is common as well. Traditionally, Mardi Gras masks are made of formed and painted leather, and can represent any character from real life or fantasy.  In modern practice, cheap masks mass manufactured of sequined cloth or paper maché covered in dyed feathers have become common.

This specific mask was hand made by Andrea Masse, a skilled artisan from New York state, for such events as Renaissance festivals and Mardi Gras.



Click above to watch a short documentary about Mardi Gras in New Orleans, Louisiana in 2019 and 2020.

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TITLE: Austrian Perchtenmaske and Costume
TYPE: helmet mask; costume; accessory
GENERAL REGION: Europe
COUNTRY: Austria
ETHNICITY: Tyrolean
DESCRIPTION: Perchtenmaske (Krampus Mask) and Costume
CATALOG ID: EUAT013
MAKER: Unknown
CEREMONY: Perchtenlauf
AGE: 2003 (mask); 2014 (costume)
MAIN MATERIAL (Mask): wood
OTHER MATERIALS (Mask): goat horns; paint; goat fur; rabbit fur; foam rubber; adhesive
MAIN MATERIAL (Costume): goat leather and fur
OTHER MATERIALS (Costume): bronze hardware; bronze bells; birch sticks; cloth; paint

Perchtenlauf is a Tyrolean winter festival equivalent to the old Norse Yule.  In many parts of Austria, southern Germany, Switzerland, and northern Italy, in mid-December the town organizes a parade of Perchten, or demons who represent evil spirits (known in Germany as Krampus).  The Perchten wear frightening horned masks with sharp teeth and long, lolling tongues, typically in a suit of goat skin with loud cowbells attached to their belt.  Their function is to accompanying St. Nicholas, who reward good children with treats and presents, while the Perchten punish bad children by beating them with birch switches or throwing them into wicker baskets on their backs to carry down to Hell for punishment.

This complete costume includes a goat leather body suit, gloves with simulated long nails (made of leather), a leather and bronze belt with bronze cowbells, and a birch stick switch for whipping children and other audience members.

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TITLE: Kolam Maneme Moonu
TYPE: face mask
GENERAL REGION: Asia
COUNTRY: Sri Lanka
ETHNICITY: Sinhalese
DESCRIPTION: Maneme Moonu (Prince) Mask
CATALOG ID: ASLK003
MAKER: Unknown
CEREMONY: Kolam Natima
AGE: 1960s
MAIN MATERIAL: kadura (Strychnox nux vomica) wood
OTHER MATERIALS: paint

The masked dance of Sri Lanka developed from shamanic healing and purification rituals, and  split along two lines.  The first, Yakun Natima, is the healing dance performed by a shaman.  Each demon (yakku) represents a specific disease or ailment, and to invoke the demon, the shaman wears a mask depicting the symptoms or symbols of the disease. When performing as a group, a character known as Kola Sanni Yakka, who is a kind of amalgamation of all diseases, presides over the demons.

The second line, Kolam Natima is a storytelling dance drama involving 40 masked characters of very diverse types. The story originates in a myth of a pregnant Sinhalese queen who develops a craving to see masked dances. She begs her husband, the king, to arrange it, but he knows of no such dances. At his request, the god Sekkria, one of the four guardian gods, carves the masks and teaches the people how to perform the dance. They perform for the royal audience, and the baby is consequently born strong and healthy. The stories told with the masks are not a single cohesive narrative, but a series of stories that merge Sinhalese folk traditions with Buddhist Jataka stories, which tell of the former lives of the Buddha.

A Kolam Natima performance begins with ritual addresses to gods and the Buddha. What follows is a prologue showing brief stock, mostly comical, scenes from traditional Sri Lankan society.  Finally, the king and the queen in very large masks enter with their retinue, whence they watch the dance.  The performance ends with the dance, typically involving Gara demons, Nagas (snake demons) and the Garuda (a Naga-eating god-bird) who were eventually reconciled by the Buddha. The performance is intended to purify the village and to spread prosperity.

This mask represents the maneme moonu, a prince and one of several royal characters in the Kolam drama.

For more on the masks of Sri Lanka, see Alain Loviconi, Masks and Exorcisms of Sri Lanka (Paris: Éditions Errance, 1981).

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TITLE: Austrian Perchtenmaske
TYPE: helmet mask
GENERAL REGION: Europe
COUNTRY: Austria
ETHNICITY: Tyrolean
DESCRIPTION: Alter Mann (Old Man) Perchtenmaske (Krampus Mask)
CATALOG ID: EUAT003
MAKER: Josef “Sepp” Seidl, Sankt Veit im Pongau (1975- )
CEREMONY: Perchtenlauf
AGE: 2013
MAIN MATERIAL: wood
OTHER MATERIALS: paint; sheep’s wool; wool Tirolean hat; foam padding; mesh; wood pipe

Perchtenlauf is a Tyrolean winter festival equivalent to the old Norse Yule.  In many parts of Austria, southern Germany, Switzerland, and northern Italy, in mid-December the town organizes a parade of Perchten, or demons who represent evil spirits (known in Germany as Krampus).  The Perchten wear frightening horned masks with sharp teeth and long, lolling tongues, typically in a suit of goat skin with loud cowbells attached to their belt.  Their function is to accompanying St. Nicholas, who reward good children with treats and presents, while the Perchten punish bad children by beating them with birch switches or throwing them into wicker baskets on their backs to carry down to Hell for punishment.

Although this mask is technically a Perchte mask, the character resembles a grumpy old man and is the companion to the old woman Krampus made by the same artist, Sepp Seidl.

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TITLE: Monpa Goddess Mask
TYPE: face mask
GENERAL REGION: Asia
COUNTRY: Bhutan
SUBREGION: Eastern Bhutan
ETHNICITY: Monpa
DESCRIPTION: Hindu Goddess Mask
CATALOG ID: ASBT002
MAKER: Unknown
CEREMONY: Cham Dance
FUNCTION: Celebration; Entertainment
AGE: ca. 1960s
MAIN MATERIAL: wood
OTHER MATERIALS: pigment

The Monpa people are a small ethnic group, estimated at around 78,000 persons, who inhabit Tibet, the Indian state of Arunachal Pradesh, and Bhutan.  They are a nomadic people who rely heavily on grazing herds for subsistence.  The Monpa are primarily Buddhist, and their masks are typically worn at monastery celebrations known as Cham Dances to bless the sowing of the grain, pray for a bountiful harvest, and entertain the public.  This mask, representing a Hindu goddess, demonstrates the syncretism of Buddhism and Hinduism in the region.

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TITLE: Mardi Gras Wizard
TYPE: face mask
GENERAL REGION: North America
COUNTRY: United States of America
SUB-REGION: New Orleans, Louisiana
ETHNICITY: Mixed
DESCRIPTION: Leather Wizard Mask
CATALOG ID: NAUS072
MAKER: Vincent Alan Ur (Tulsa, Oklahoma, 1966- )
CEREMONY: Mardi Gras
AGE: 2013
MAIN MATERIAL: leather
OTHER MATERIALS: acrylic paint

In Catholic practice, Mardi Gras (“Fat Tuesday”) is the last day of celebration of Carnival before the fasting period of Lent. In the United States, the holiday is nowhere more vigorously celebrated than in New Orleans, Louisiana. There, a two-week Carnival season terminating on Mardi Gras is celebrated with parades composed of elaborate costumes and masks, floats, marching bands, all organize by private “krewes” composed of public-spirited citizens dedicated to preserving the Mardi Gras tradition. Krewes tend to have a fairly constant structure of officers, who frequently ride horseback in handsome costumes and white draped masks, float riders who chuck “throws,” or small gifts such as plastic beaded necklaces, toys, or mementos (usually with the krewe’s name and insignia) into the cheering crowds, and a guest “king” and “queen” of the krewe.

Mardi Gras in New Orleans is also typically celebrated with formal balls held by the krewes in honor of the king and queen, and to celebrate the season.  Mask wearing among street celebrants is common as well. Traditionally, Mardi Gras masks are made of formed and painted leather, and can represent any character from real life or fantasy.  In modern practice, cheap masks mass manufactured of sequined cloth or paper maché covered in dyed feathers have become common.

This specific mask was hand made by a skilled artisan from Tulsa, Oklahoma and brought to New Orleans during Mardi Gras to be sold.


Click above to watch a short documentary about Mardi Gras in New Orleans, Louisiana in 2019 and 2020.

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TITLE: Dogon Nommo Mask
TYPE: face mask
GENERAL REGION: Africa
COUNTRY: Mali
ETHNICITY: Dogon
DESCRIPTION: Nommo (circumcision) mask with seated figure on head
CATALOG ID: AFML003
MAKER: Unknown
CEREMONY: Circumcision
FUNCTION: Adult Initiation
AGE: ca. 1970s
MAIN MATERIAL: wood
OTHER MATERIALS: N/A

The Dogon people of Mali use a tremendous variety of masks, most of which center around funeral rites. Traditionally, the Awa Society controlled the use of masks. This nommo mask would have been used in the adult initiation ritual for boys between the ages of 9 and 12, at their circumcision. During the ritual, members of the Awa Society wear masks such as this one, representing important ancestors.

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