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Cigarrón Mask

TITLE: Cigarrón Mask
TYPE: face mask
GENERAL REGION: Europe
COUNTRY: Spain
SUBREGION: Galicia
ETHNICITY: Iberian
DESCRIPTION: Cigarrón (Cigarette) Mask with Falcon Pantalla
CATALOG ID: EUES016
MAKER: Álvaro Ferreira Diéguez (Verín, 1966- )
CEREMONY: Entroido (Carnival)
AGE: 1993
MAIN MATERIAL: wood; brass sheet
OTHER MATERIALS: leather; oil-based paint; dyed cotton yarn; waxed thread; foam rubber; rabbit pelt; animal pelt; hardware; horsehair

The Entroido (Carnival) of Spain’s Galicia province has a tremendous diversity of celebration styles that vary from town to town. In the region of Verín, the celebration begins with a “baptism” of characters known as Cigarrones (literally, cigarettes). Cigarrones wear fancy and intricate costumes of velvet jackets, tasseled short pants, laced hose, an embroidered scarf (pañoleta), and a belt with large brass or copper cowbells (chocallos). The mask is made of wood, padded with leather and lined with rabbit fur. Attached to the top is a metal screen in the shape of a bishop’s miter (mitra), painted with a totemic animal or scene, decorated with tassels (pondones) and lined in the back with leather, animal fur, and hair from a horse’s tail. The Cigarrón carries a leather whip (zamarra) with a long, carved wood handle to lash any member of the crowd who fails to move out of the way of the parade. Although Entroido in Verín includes crowds of celebrants throwing flour or talc at each other (a symbolic fertility rite), the Cigarrón is considered untouchable and must be avoided and treated with respect throughout the Entroido.

This mask was used by the maker, Álvaro Diéguez, for twenty-four years in the Carnival of Verín. The falcon on the mitra is a symbol of ferocity and agility.

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Careto

TITLE: Careto
TYPE: face mask
GENERAL REGION: Europe
COUNTRY: Portugal
SUBREGION: Podence
ETHNICITY: Iberian
DESCRIPTION: Red and Black Leather Careto
CATALOG ID: EUPT008
MAKER: Luís Filipe Costa (Podence, 1985- )
CEREMONY: Entrudo (Carnival)
AGE: 2017
MAIN MATERIAL: leather
OTHER MATERIALS: paint; stitching; elastic straps

In Podence, Portugal, Carnival (frequently called Entrudo there) is celebrated in a unique way. Masqueraders put on crude, pointy-nosed masks made of leather, wood, or folded and welded tin sheet, usually painted red, black, or both. Their costumes are a hooded suit of furry cotton yarn and always consisting of red, yellow, and green colored stripes. They also wear leather belts and bandoliers with bells attached, and they wield a stick or club. The caretos appear in groups, running chaotically through the village to harass the young women. The careto during this time is effectively granted immunity from the rules of decorum.  He can violate social norms with impunity, as he is considered the manifestation of a supernatural spirit. Such beliefs strongly imply a lingering pre-Christian origin for the ceremony in this region.

Click above to see footage of the caretos of Podence, Portugal.

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Careto

TITLE: Careto
TYPE: face mask
GENERAL REGION: Europe
COUNTRY: Portugal
SUBREGION: Bragança
ETHNICITY: Iberian
DESCRIPTION: Careto of a smiling demon in two-toned wood
CATALOG ID: EUPT007
MAKER: Romeu Jorge Fernandes (Ousilhão, Vinhais, 1988- )
CEREMONY: Festa de Santo Estevão
PURPOSE: Adult Initiation; Celebration
AGE: 2016
MAIN MATERIAL: mulberry wood
OTHER MATERIALS: N/A

The caretos of the tiny village of Ousilhão, in the Vinhais township of Bragança, wear their masks not at Carnival, but during a winter festival in honor of the patron saint of the village, St. Steven (Santo Estevão). This festival is also known as the Festa dos Rapazes (Festival of the Boys), because it serves as an adult initiation ceremony for pubescent boys. The celebration is held on December 25-26 each year, and begins when the village priest symbolically crowns three men in the village square as a king and two vassals. These individuals are responsible for supplying the food and drink in the festivities to follow.

The ceremony that follows involves four masqueraders (historically men, but now women participate as well) bringing boys to the feast wearing demonic masks (caretos) and colorful, cloth costumes. Before and during the feasting and drinking, the masqueraders will sing and dance to the music of bagpipes (gaita de foles), castanets, and drums. Their goal is to make the initiates thoroughly drunk.

Afterward, unmasked villagers carry the image of St. Steven to the village church. The masked characters, being both demonic and drunk, are not allowed to enter the church.

This mask was carved by Romeu Jorge, a military policeman who has been carving the masks since the age of 12.

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Careto

TITLE: Careto
TYPE: face mask
GENERAL REGION: Europe
COUNTRY: Portugal
SUBREGION: Lamego
ETHNICITY: Iberian
DESCRIPTION: Careto of Jesus of Nazareth
CATALOG ID: EUPT006
MAKER: Albino Neves (Lazarím)
CEREMONY: Entrudo (Carnival)
AGE: 2015
MAIN MATERIAL: alder wood
OTHER MATERIALS: elastic straps

The residents of the small town of Lazarím, Portugal, claim that their Carnival is the most authentic in Portugal and dates back to the Celtic invasions from central Europe in the first millennium BCE. The participants begin with a walk from Lamego to Lazarím or a town parade, dressed in costumes and masks made of natural materials such as burlap, wicker, pine boughs, or dried grass. The masks are usually hand-carved of wood and uncolored. They most commonly represent devils, but they may also represent animals, kings, or (in this case) Jesus of Nazareth himself. The parade is accompanied by a band of drums and percussion instruments.

After the parade, a young man and woman designated to carry paper maché effigies of a compadre and comadre assemble the village in the square and read out a list of the embarrassing acts of the villagers during the preceding year, to the amusement of all. The shamed individuals are then redeemed by the symbolic burning of the effigies. The villagers then share a feast of bean and meat stew cooking in a large cauldron in the square.  Masqueraders frequently play pranks throughout Fat Sunday and Fat Tuesday.

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Historiantes (Cristiano) Mask

TITLE: Historiantes (Cristiano) Mask
TYPE: face mask
GENERAL REGION: Latin America
COUNTRY: El Salvador
SUBREGION: San Salvador
ETHNICITY: Mestizo
DESCRIPTION: Cristiano (Christian) Mask
CATALOG ID: LASV004
MAKER: Celio López (San Antonio Abad, 1962- )
CEREMONY: Danza de los Historiantes
AGE: 1996
MAIN MATERIAL: pito wood
OTHER MATERIALS: oil-based paint; animal hair; shoestrings

The Danza de los Historiantes (Dance of the Historical Persons), also known as the Danza de los Moros y Cristianos (Dance of the Moors and Christians) reenacts the reconquest of Spain by the Christians from the Muslim Saracens.  The story was taught by missionaries as part of an effort to instill respect for and fear of the Spaniards in the indigenous peoples, and to convince them that the victory of Christianity over other faiths—by violence whenever necessary—was inevitable.

The dance is still performed in several parts of El Salvador, usually on the festival in honor of the village’s patron saint. The dance group includes several Spaniards with their prince and princess or king and queen, and an equal number of Moors with their royalty. Each Spaniard and Moor has a specific role (ambassador, captain, doctor, etc.). Usually each side has its own clown (bufón). In the neighborhood of San Antonio Abad (named after its patron saint), where this mask originates, twelve or more dancers reenact the history with recited verses, feigned combat, and clownish antics. They are accompanied by the music of the carrizo (reed flute) and tambor indio (drum).

In the region of San Salvador, masks are inevitably red and blue, with Christians having clean-shaven faces and Moors having mustaches or beards. In other parts of El Salvador, the masks are different colors (green and pink, bright pink, etc.) or resemble natural skin.

Click above to watch a short documentary about the Historiantes dance-drama of El Salvador.

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Careto

TITLE: Careto
TYPE: face mask
GENERAL REGION: Europe
COUNTRY: Portugal
SUBREGION: Bragança
ETHNICITY: Iberian
DESCRIPTION: Black careto with horns
CATALOG ID: EUPT004
MAKER: António Alves (Varges, Bragança, 1949- )
CEREMONY: Entrudo (Carnival)
AGE: 2016
MAIN MATERIAL: aluminum sheet
OTHER MATERIALS: goat horns; enamel paint

In Bragança, Portugal, Carnival (frequently called Entrudo) masks may be composed of a wide variety of materials, most commonly metal, leather, wood, cork, or escrinho (woven straw). Such masks typically have devilish features, representing the freedom enjoyed by the celebrant that would be considered sinful, or at least socially unacceptable, at other times of the year. Carnival is the Shrovetide season of maximal social freedom prior to the Catholic fasting season of Lent. In Catholic countries such as Portugal, parties, parades, feasting, and cultural events are commonly organized during the Carnival season, primarily on “Fat Sunday” and “Fat Tuesday.”

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Careto

TITLE: Careto
TYPE: face mask
GENERAL REGION: Europe
COUNTRY: Portugal
SUBREGION: Bragança
ETHNICITY: Iberian
DESCRIPTION: Careto in four colors
CATALOG ID: EUPT001
MAKER: Oscar Barros (Bragança)
CEREMONY: Entrudo (Carnival)
AGE: 2015
MAIN MATERIAL: steel sheet
OTHER MATERIALS: enamel paint

In Bragança, Portugal, Carnival (frequently called Entrudo) masks may be composed of a wide variety of materials, most commonly metal, leather, wood, cork, or escrinho (woven straw). Such masks typically have devilish features, representing the freedom enjoyed by the celebrant that would be considered sinful, or at least socially unacceptable, at other times of the year. Carnival is the Shrovetide season of maximal social freedom prior to the Catholic fasting season of Lent. In Catholic countries such as Portugal, parties, parades, feasting, and cultural events are commonly organized during the Carnival season, primarily on “Fat Sunday” and “Fat Tuesday.”

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Tastoan Mask

TITLE: Tastoan Mask
TYPE: face mask
GENERAL REGION: Latin America
COUNTRY: Mexico
SUBREGION: Jalisco
ETHNICITY: Nahua
DESCRIPTION: Turquoise tastoan mask with lizard on the nose
CATALOG ID: LAMX043
MAKER: Ubaldo Macías Bernabe, Tonalá (1972- )
CEREMONY: Fiesta de Santiago el Apostól
AGE: 2016
MAIN MATERIAL: leather
OTHER MATERIALS: horse teeth; animal bone; acrylic paint; lacquer; glue paste; wire; thread; elastic bands; horse hair

In parts of Jalisco and Zacatecas, the holiday in honor of Santiago el Apostól (St. James the Apostle) is held every 25th of July. Celebrants carry spears and dress in long pants, leather chaps, and boots, with demonic masks made of wood (Zacatecas) or molded leather (Jalisco) covered with a montera (headdress) of goat hair, horse hair, or plant fiber. The festival commemorates a battle between the indigenous warriors of the area and conquistadors. The appearance of the tastoanes, who represent indigenous warriors, conveys their ferocity through sharp teeth, large noses, and snakes, lizards, scorpions and spiders for decorations. This mask has images of the mythical creatures nahual and nahuala, half jaguar and half human, who symbolize the ferocity of the Tonaltecs. In some cases, the masks are dotted to convey the transmission of diseases such as smallpox and syphilis from the Spaniards to the indigenous peoples.

During the celebration, tastoanes and either three kings wearing ceramic masks or three Aztec priestesses (one representing the Tonaltec queen Tzapotzintli, also known as Tzuapili oor Cihualpilli) carry an image of St. James along a parade route and dance to music carrying swords or whips, after which they make defiant speeches and engage in a mock battle (jugada) with a participant carrying a whip who represents St. James.  At the end of the battle, all the tastoanes die and St. James is victorious. In the past, all tastoanes were male, but recently women have begun to participate as well.  In some towns, an organization such as a Cofradía de Santo Santiago (Fraternity of St. James) organizes the event.

This specific mask was made by the award-winning craftsman Ubaldo Macías of Tonalá and worn in the 2016 Fiesta de Sto. Santiago.

Click above to watch a short documentary about the tastoanes of Tonalá, Mexico.

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Cora Tiznado Mask

TITLE: Cora Tiznado Mask
TYPE: face mask
GENERAL REGION: Latin America
COUNTRY: Mexico
SUBREGION: Nayarit
ETHNICITY: Cora
DESCRIPTION: Tiznado (Judio) Mask
CATALOG ID: LAMX075
MAKER: Unknown
CEREMONY: Semana Santa (Holy Week)
AGE: ca. 1950s
MAIN MATERIAL: paper maché
OTHER MATERIALS: bamboo; paint; animal hair

The Cora people of Nayarit resisted Spanish colonization and proselytization long after most of Mexico succumbed, and their pre-Christian traditions still survive with a thin veneer of Catholicism. Traditionally, the Cora worship three gods, associated with the sun, the moon, and corn.

During the Semana Santa (Holy Week), Cora men paint their bodies with black and white stripes and wear judio (Jew) masks (also called borrados) designed to look like monsters and devils that carry swords and persecute the sun god, who takes the Catholic form of Jesus of Nazareth. The character is called tiznado (“covered with ash”). On Good Friday, the judios capture and kill the sun god, who is resurrected the next day and banishes the judios.

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Mayo Fariseo

TITLE: Mayo Fariseo
TYPE: face mask portion of a helmet mask
GENERAL REGION: Latin America
COUNTRY: Mexico
SUBREGION: Sinaloa
ETHNICITY: Mayo
DESCRIPTION: Judio (Fariseo) Mask
CATALOG ID: LAMX118
MAKER: Unknown maker in Mochicahui
CEREMONY: Holy Week (Fariseo Dance-Drama)
FUNCTION: celebration; purification; social control
AGE: ca. 1960s
MAIN MATERIAL: wood
OTHER MATERIALS: metal wire mesh; glue; pigment

The Yaqui and related Mayo people inhabit the desert in the Mexican state of Sonora and southern Arizona. Their religious beliefs are a syncretic version of traditional animist practices and Jesuitical Catholicism. The fariseos (Mayo) or chapayekas (Yaqui) are an important society in both communities and are mainly active during the three months surrounding Holy Week. The fariseos in theory represent Pharisees, or the Jews (judios) who supposedly condemned Jesus (it was actually the Romans), and are always represented by leather helmets with wood or painted faces.

Fariseos are organized by a society, with each celebration having a fariseo cabo (head Pharisee) who goes unmasked and organizes the dancers. To join the fariseo society, an applicant must be endorsed by a godfather (padrino) who is already a fariseo, and a godmother (padrina) who is a singer.

Fariseos usually begin dancing for several hours at the houses where idols of saints are kept, and then they come to dance in the town ramadas in the plaza, where the pasko’olas, deer dancer, and coyote dancers have been dancing.

In some village ceremonies, the fariseos, representing evil, repeatedly attack the church and are repelled by Christians throwing flowers. In others, unmasked fariseos represent the Roman persecutors of Christ bearing wooden swords and have battles with masked Christian caballeros (cavalry). Ultimately, the fariseos are defeated and convert to Christianity.  In still other villages, the fariseos follow the procession of the icons of the church and mimic searching for Jesus. Dancing as a fariseo is believed to put the dancer in the good graces of Jesus. When the masked fariseos dance, the dancer holds a rosary with a cross in his mouth during the ceremony to ward off evil.

Normally, all fariseo masks except two are burned after Holy Week. More are made in preparation for the following year. The two that are preserved are kept to be buried with any member of the fariseo society who happens to die during that year. Once worn, the masks are considered sacred objects, because the fariseos pray while dancing.

During Holy Week, the fariseo society takes over most of the legal, police, and religious ceremonies of the Yaqui and Mayo villages. For example, working was traditionally prohibited on Ash Wednesday, and anyone caught working would be brought before the fariseo cabo and fined or, if he or she had no money, forced to drag a heavy mesquite cross along the procession route. At Lent, the fariseos go from house to house, collecting donations for the Fiesta de la Gloria and other religious celebrations.

This mask was formerly attached to a coyote pelt that was not properly cured and disintegrated over time.

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