TITLE: Saqra Mask
TYPE: face mask
GENERAL REGION: Latin America
COUNTRY: Peru
SUBREGION: Paucartambo
ETHNICITY: Quechua; Aymara
DESCRIPTION: Saqra (Devil) Mask
CATALOG ID: LAPE004
MAKER: Mario Palomino Coll Cárdenas (Cusco, 1949- )
CEREMONY: Danza Saqra (Kuwallada)
AGE: 2018
MAIN MATERIAL: paper maché
OTHER MATERIALS: plaster; paint; metal wire

The city of Paucartambo, Peru, celebrates the Festival of the Virgin of Carmen (Mamacha Carmen) annually on July 16th. The Festival begins by the carrying of an image of the Virgin Mary through the streets to the church. Among the festivities that follow is the Kuwallada, a festival involving numerous masked characters in elaborate costumes. One component of Kuwallada is the Danza Saqra.  The term saqra is Quechua for “wicked” or “devil” and represents tricksters dressed as animals or devils.  They are not really “evil,” but merely mischievous.

The saqra troupe has a fairly complex organization, with a leader (caporal), two captains (capitánes), a female saqra (china saqra), soldiers, “pets” (mascotas), clowns known as maitas or qhapac qollas, who wear the waq’ollo mask, and the carguyoc, who is an organizer who accompanies (and provides beer for) the musicians.


Click above to watch a short documentary on Corpus Christi in Cusco, Peru.

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TITLE: Qhapaq Negro Mask
TYPE: face mask
GENERAL REGION: Latin America
COUNTRY: Peru
SUBREGION: Cusco
ETHNICITY: Quechua; Aymara
DESCRIPTION: Qhapaq Negro (Great Black)
CATALOG ID: LAPE024
MAKER: Unknown maker in Cusco
CEREMONY: Kuwallada Dance (Fiesta de la Virgen del Carmen)
AGE: 2019
MAIN MATERIAL: fiberglass
OTHER MATERIALS: paint

The city of Paucartambo, Peru, celebrates the Festival of the Virgin of Carmen annually on July 16th. The Festival begins by the carrying of an image of the Virgin Mary through the streets to the church. Among the festivities that follow is the Kuwallada, a dance involving numerous masked characters in elaborate costumes. The Qhapaq Negro (qhapaq being Quechua for “mighty” or “great” and negro being Spanish for black) represents the slaves brought to work the silver mines and cotton fields in the early colonial period. They dance while singing to a slow and stately rhythm.


Click above to watch a short documentary on Corpus Christi in Cusco, Peru.

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TITLE: Maqta Mask
TYPE: face mask
GENERAL REGION: Latin America
COUNTRY: Peru
SUBREGION: Cusco
ETHNICITY: Quechua; Aymara
DESCRIPTION: Maqta (Servant) / Cieguito (Half-Blind) Mask
CATALOG ID: LAPE028
MAKER: Adriel Ordoñez (Cusco, 1994- )
CEREMONY: Corpus Christi; Fiesta de la Virgen del Carmen
AGE: 2019
MAIN MATERIAL: paper maché
OTHER MATERIALS: plaster; paint

The city of Paucartambo, Peru, celebrates the Festival of the Virgin of Carmen (Mamacha Carmen) annually on July 16th. The Festival begins by the carrying of an image of the Virgin Mary through the streets to the church. A wide variety of dances and dance-dramas are performed during this celebration, as well as others such as Corpus Christi and Carnival.  In nearly every dance troupe is found at least one maqta (servant) character. The maqta dresses as an indigenous Quechua man and serves a crucial role in cultural celebrations in the Cusco Region.  In some dance dramas, he is an important character who represents the poor indigenous folk.  In other dances, he is primarily a clown (bufón) who amuses the audience with his antics, harassing other characters and spectators, and playing tricks on other maqtas.

This maqta is has a hilarious wink and is sometimes known as the cieguito, or half-blind one.


Click above to watch a short documentary on Corpus Christi in Cusco, Peru.

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TITLE: Qhapaq Negro Mask
TYPE: face mask
GENERAL REGION: Latin America
COUNTRY: Peru
SUBREGION: Cusco
ETHNICITY: Quechua; Aymara
DESCRIPTION: Qhapaq Negro (Great Black) Mask
CATALOG ID: LAPE035
MAKER: Unknown maker in Cusco Region
CEREMONY: Kuwallada Dance (Fiesta de la Virgen del Carmen)
AGE: 1940s
MAIN MATERIAL: plaster
OTHER MATERIALS: paint

The city of Paucartambo, Peru, celebrates the Festival of the Virgin of Carmen annually on July 16th. The Festival begins by the carrying of an image of the Virgin Mary through the streets to the church. Among the festivities that follow is the Kuwallada, a dance involving numerous masked characters in elaborate costumes. The Qhapaq Negro (qhapaq being Quechua for “mighty” or “great” and negro being Spanish for black) represents the slaves brought to work the silver mines and cotton fields in the early colonial period. They dance while singing to a slow and stately rhythm.


Click above to watch a short documentary on Corpus Christi in Cusco, Peru.

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TITLE: Contradanza (Caporal) Mask
TYPE: face mask
GENERAL REGION: Latin America
COUNTRY: Peru
SUBREGION: Cusco
ETHNICITY: Quechua
DESCRIPTION: Caporal de la Contradanza Mask
CATALOG ID: LAPE003
MAKER: Dionicio Huamán Ayma (Sicuani, 1950- )
CEREMONY: Contradanza
AGE: 2014
MAIN MATERIAL: wire mesh
OTHER MATERIALS: paint; steel strips; elastic straps

The contradanza dance is performed throughout the Cusco region. The characters include a leader (caporal), soldiers, servants, and children. The dance is usually part of the Fiesta de la Virgen de Carmen in mid-July or Corpus Christi, and is performed to the music of flutes, accordion, and drums. The dance is led the caporal, who wears a military uniform and a plaster or paper maché mask with a long nose, similar to a siqlla.  The main dancers are all men wearing elaborate, brightly colored uniforms and beribboned caps, with a wire mesh face mask. They dance in two lines facing each other.  Accompanying them are a pair of maqtas (servants), who serve the role of clowning to amuse the audience, and a pair of children.

This mask represents the caporal.  It is identical to the siqlla, or doctorcito, mask, except that the caporal‘s facial expression is bellicose instead of smiling.


Click above to watch a short documentary on Corpus Christi in Cusco, Peru.

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TITLE: Majeño Mask
TYPE: face mask
GENERAL REGION: Latin America
COUNTRY: Peru
SUBREGION: Pisaq, Cusco
ETHNICITY: Quechua; Aymara
DESCRIPTION: Majeño (Merchant) Mask
CATALOG ID: LAPE005
MAKER: Dionicio Huamán Ayma (Sicuani, 1950- )
CEREMONY: Fiesta de la Virgen del Carmen (Kuwallada Dance)
AGE: 2014
MAIN MATERIAL: paper maché
OTHER MATERIALS: plaster; paint; foam rubber; string

The city of Paucartambo, Peru, celebrates the Festival of the Virgin of Carmen annually on July 16th. The Festival begins by the carrying of an image of the Virgin Mary through the streets to the church. Among the festivities that follow is the Kuwallada, a dance involving numerous masked characters in elaborate costumes. The majeños satirize the Spanish merchants of the Majes Valley who traded in wine and aguardiente (cane liquor). The majeños dance usually in a group of twenty men and one woman, accompanied by a military-type band of brass instruments and drums.  They dance uproariously, carrying about bottles of alcohol, except in the presence of the image of the Virgin. The leading majeño (majeño mayor) is paired with a dancer wearing a female’s mask and dress who carries the liquor for the group, and several maqtas (servant-clowns) accompany the group.

This mask was made in Pisaq and used there during the Fiesta from 2014 to 2019.


Click above to watch a short documentary on Corpus Christi in Cusco, Peru.

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TITLE: Halloween Android Mask
TYPE: hood mask
GENERAL REGION: North America
COUNTRY: United States of America
SUBREGION: Hollywood
ETHNICITY: Mixed
DESCRIPTION: Silicone Lycan Mask
CATALOG ID: NAUS038
MAKER: Design: Andrew Freeman (1981- , West Covina, California); Manufacture: Immortal Masks, Inc., San Dimas, California
CEREMONY: Halloween
AGE: 2019
MAIN MATERIAL: cured silicone
OTHER MATERIALS: silicone-based paint; silicone adhesive; polyester mesh; synthetic fur; resin teeth

Halloween is one of the major secular festivals in the United States, celebrated on October 31st each year.  It originated in pre-Christian times, possibly among the ancient Celts, who practiced Samhain in late fall by wearing frightening costumes and lighting bonfires in mid-autumn to scare away ghosts. In the eighth century, Pope Gregory III declared November 1st as a day to honor all the saints collectively. The celebration prior to this All Saints Day became known as All Hallows’ Eve (hence the shortened name, All Hallowe’en, eventually elided to Halloween), and involved many of the same traditions practiced by the Celts.

Halloween formerly had many traditions that varied by region.  In modern and relatively homogenized practice, Halloween generally has three main components: costumed parties, “trick-or-treating,” and haunted houses.  Costumed parties are the modern descendant of social activities designed to honor the saints and create solidarity in the community. Children’s parties typically involved games with prizes, such as bobbing for apples and carving pumpkins and other relatively dry squash into frightening “jack-o-lanterns” with candles inside for illumination.  Adult parties commonly involve less innocent games and elaborate decorations to create a scary mood.

Trick-or-treating is the children’s practice of wearing scary costumes to extort candy and other sweets from neighbors. Like roaming goblins, the monsters visiting the house would demand a treat or threaten to play a nasty trick on the neighbor. The threat is of course a formality, as sharing candy with trick-or-treaters is considered a mandatory practice for friendly and community-spirited neighbors. In modern practice, many children have abandoned the tradition of wearing frightening costumes and have leaned toward fantasy characters such as superheroes, princesses, and fairies.

Haunted houses are a relatively modern innovation.  They may be designed and staffed by volunteers or for profit, and generally take the form of a decrepit mansion haunted by ghosts, mad scientists, monsters, the walking dead, etc. The idea is to inspire terror and wonder in a factually safe environment.

In addition, many Americans celebrate by watching horror movies (the release of which Hollywood times to coincide with the Halloween season), and in some regions, most notably Greenwich Village, Manhattan in New York and Salem, Massachusetts, major costumed parades are organized each year.  In many cities, “zombie walks” composed of masses of costumed zombies have been organized as well.

Popular masks and costumes include devils, zombies, skeletons, vampires, werewolves, mummies, witches, pirates, political figures, and characters from popular culture, such as Frankenstein’s monster. However, Halloween costumes can include almost anything, including inanimate objects and abstractions.  The choice is limited only by the imagination of the masquerader.  Masks and costumes depicting offensive racial stereotypes, popular prior to the 1980s, are no longer widely used.

This werewolf mask, called Lycan in the studio’s catalog, was designed by Andrew Freeman and hand made at Immortal Masks, Inc.  Immortal Masks is a manufacturer of highly realistic silicone-based masks that conform to and move with the wearer’s face.


Click above to watch a video about Immortal Masks, maker of top-notch silicone masks.

Click above to watch a video about Halloween in the United States.

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TITLE: Loco Mask
TYPE: face mask
GENERAL REGION: Latin America
COUNTRY: Peru
SUBREGION: Huánuco District
ETHNICITY: Quechua
DESCRIPTION: Loco (Crazy Man) Mask
CATALOG ID: LAPE014
MAKER: Unknown
CEREMONY: Carnival
AGE: 1970s
MAIN MATERIAL: glove leather
OTHER MATERIALS: cardboard; wool stuffing; plant fiber; stitching; paint

Carnival is celebrated throughout the Catholic world with parades and other festivities, often including masqueraders. It is the celebration before the fasting season of Lent. In Peru, as in most of Latin America, Carnival is celebrated with masked dances and parades.

This loco, or crazy man, mask comes from the region of Huánaco in central Peru. It is popularly used by masqueraders to frighten children.

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TITLE: K’achampa Mask
TYPE: face mask
GENERAL REGION: Latin America
COUNTRY: Peru
SUBREGION: Cusco
ETHNICITY: Quechua
DESCRIPTION: K’achampa Mask
CATALOG ID: LAPE002
MAKER: Dionicio Huamán Ayma (Sicuani, 1950- )
CEREMONY: K’achampa Dance
AGE: 2014
MAIN MATERIAL: wire mesh
OTHER MATERIALS: paint; steel strips

The k’achampa dance is performed throughout the central mountains of Peru to the accompaniment of martial music. The characters include a leader (caporal), soldiers, and children. The dance is performed for different purposes in different parts of Peru. In Cusco, it is performed during Corpus Christi.  In Paucartambo, it is usually part of the Fiesta de la Virgen de Carmen in mid-July. In Ollantaytambo, it is performed at the Feast of the Pentecost on January 6. In all cases, the mask is worn with a costume consisting of an elaborately decorated flat-topped hat or ch’ullu (traditional Andean wool hat with earflaps), a vest with mirrors and bells, a white shirt, black tie, white gloves, black shorts, and vest and dress coat. The masqueraders may also carry a slingshot. The dance is thought to be Incan in origin and to relate to war rituals.

This mask was made and used in Pisaq for four years.


Click above to watch a short documentary on Corpus Christi in Cusco, Peru.

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TITLE: K’achampa Mask
TYPE: face mask
GENERAL REGION: Latin America
COUNTRY: Peru
SUBREGION: Cusco
ETHNICITY: Quechua
DESCRIPTION: K’achampa Mask
CATALOG ID: LAPE034
MAKER: Unknown
CEREMONY: K’achampa Dance
AGE: 2018
MAIN MATERIAL: wire mesh
OTHER MATERIALS: paint; steel strips

The k’achampa dance is performed throughout the central mountains of Peru to the accompaniment of martial music. The characters include a leader (caporal), soldiers, and children. The dance is performed for different purposes in different parts of Peru. In Cusco, it is performed during Corpus Christi.  In Paucartambo, it is usually part of the Fiesta de la Virgen de Carmen in mid-July. In Ollantaytambo, it is performed at the Feast of the Pentecost on January 6. In all cases, the mask is worn with a costume consisting of an elaborately decorated flat-topped hat or ch’ullu (traditional Andean wool hat with earflaps), a vest with mirrors and bells, a white shirt, black tie, white gloves, black shorts, and vest and dress coat. The masqueraders may also carry a slingshot. The dance is thought to be Incan in origin and to relate to war rituals.


Click above to watch a short documentary on Corpus Christi in Cusco, Peru.

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