TITLE: Black Raven Mask
TYPE: face mask
GENERAL REGION: North America
COUNTRY: United States of America
ETHNICITY: Mixed
DESCRIPTION: Leather Black Raven Mask
CATALOG ID: NAUS017
MAKER: William Rockwell, Lakewood, Colorado (1989- )
CEREMONY: Halloween; Mardi Gras; Fantasy
AGE: 2019
MAIN MATERIAL: leather
OTHER MATERIALS: acrylic paint

Masks of this type are used in a variety of festivities in the United States, including Halloween, Mardi Gras, and at fantasy events such as Comic-Con, FaerieCon, and Renaissance fairs.  They may also be used in theaters for plays calling for disguises.  They are made of formed and tooled leather, colored with acrylic paint.

Click above to watch a documentary about Halloween in the United States.

Click above to watch a short documentary about Mardi Gras in New Orleans, Louisiana in 2019 and 2020.

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TITLE: Pende Giphogo (Kipoko) Mask
TYPE: helmet mask
GENERAL REGION: Africa
COUNTRY: Democratic Republic of the Congo
ETHNICITY: Eastern Pende
DESCRIPTION: Giphogo (Kipoko) Mask
CATALOG ID: AFCD011
MAKER: Unknown
CEREMONY: Mukanda / Lukongo Dance
FUNCTION: Adult Initiation; Protection; Purification; Social Control; Spirit Invocation; Status
AGE: ca. 1980s
MAIN MATERIAL: wood
OTHER MATERIALS: cloth; string; pigment

The Pende people have many different kinds of masks they wear, especially at adult initiation rituals and funerals. The word giphogo (or kipoko) means “sword wielder” and is a symbol of power among the Eastern Pende. The mask is kept in the chief’s home, and only chiefs are allowed to authorize dance with this type of mask on the occasion of initiations and rituals of the ancestor cult of the Eastern Pende. It represent the village chief as intermediary between the living and the dead, and its uses include protection from evil spirits; prayers or thanks for successful harvests and tribal fertility; to identify and punish sorcerers; and adult initiation during mukanda rituals. The dance is called Lukongo among the Eastern Pende.  The masquerader carries one or two flywhisks made of animal hair, which are used to mimic agricultural work or to purify the village grounds.  As the kipoko dances, he mimics the daily tasks of village women, meanwhile flicking the ground with the whisks and making semicircular kicks to protect the village against evil spirits or sorcerers, to purify disease and sterility, and to quiet discord. Every Eastern Pende boy must learn the Lukongo dance to be initiated into the men’s fraternity.

For more on Pende masked dances, see Z.S. Strother, Inventing Masks: Agency and History in the Art of the Central Pende (University of Chicago Press, 1998).

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TITLE: Iroquois Corn Husk Mask
TYPE: face mask
GENERAL REGION: North American
COUNTRY: Canada
SUBREGION: Québec
ETHNICITY: Iroquois
DESCRIPTION: Corn Husk (Bushy Head) mask
CATALOG ID: NACA009
MAKER: Unknown
CEREMONY: Agriculture; Healing; Secret Society; Spirit Invocation
AGE: ca. 1970s
MAIN MATERIAL: braided corn husks
OTHER MATERIALS: N/A

The Iroquois League (Haudenosaunee) historically inhabited the northeastern regions of the United States and eastern Canada, before being displaced by Dutch and British settlers.  They maintain tribal lands in Ontario and Quebec today, reserved by treaty.

Most Iroquois nations had three medicine societies, one of which was the Society of Husk Faces.  Among the important rituals of the Society are celebration of the Midwinter Festival using the “Bushy Heads” or corn husk masks. They represent earthbound spirits from the other side of the world, where the seasons are reversed (which, in fact, they are south of the Equator). The beings taught the Iroquois the skills of hunting and agriculture. They perform predominantly two dances, known as the Fish Dance and the Women’s Dance. Unlike the False Face dancers, Husk Face dancers are mute. Like the False Face dancers, they can cure the ill by blowing hot ash or sprinkling water on their patients.

The Bushy Heads can be male or female, young or old.  Either men or women may dance in the Husk Face Society, and sometimes they choose masks of the opposite gender to the amusement of the audience.

For more on Iroquois masking traditions, see William N. Fenton, The False Faces of the Iroquois (University of Oklahoma Press, 1987).

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TITLE: Kwele Helmet Mask
TYPE: helmet mask
GENERAL REGION: Africa
COUNTRY: Gabon
ETHNICITY: Kwele
DESCRIPTION: Ekuk Helmet Mask
CATALOG ID: AFGA008
MAKER: Unknown
CEREMONY: Be’ete Society
AGE: ca. 1970s
MAIN MATERIAL: wood
OTHER MATERIALS: kaolin clay; pigment; raffia fiber

The Kwele, also known as Kwese, people of Gabon and the Democratic Republic of Congo now live between the Dja and Ivindo rivers. Social control is exercised by the Be’ete Secret Society, which uses masks to adult initiation rituals, funerals, and protection of the village from malicious spirits.  The masks embody protective bush spirits, with the antelope a dominant presence among them.  Kaolin clay is nearly always used in Kwele masks, because its white color has spiritual meaning to the Kwele.

This specific mask represents an ekuk, or forest spirit, of a lion.

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TITLE: Dancing Devil of Yare
TYPE: face mask
GENERAL REGION: Latin America
COUNTRY: Venezuela
SUBREGION: Miranda
ETHNICITY: Mestizo
DESCRIPTION: Diablo Danzante
CATALOG ID: LAVE002
MAKER: Manuel “El Mocho” Salvador Sanoja, San Francisco de Yare (1937-2010)
CEREMONY: Corpus Christi; other Catholic holidays
AGE: 1980s
MAIN MATERIAL: paper maché
OTHER MATERIALS: paint

The dancing devils of Yare are a fraternal order that dances on Corpus Christi and other holidays. When the tradition of dancing in devil costumes first began in San Francisco de Yare, the masks were monochromatic, made from cloth, and came in many forms.  These may date back to the 18th century.  Over time, the drab cloth masks were replaced with cheaper paper maché, and they began to be painted more colorfully to resemble animals, such as bulls, pigs, dogs, or demons. Before dancing, each devil makes a promise to the Church, but devils never enter the church building itself.  Instead, they hear mass outside the church and receive the Bishop’s blessing without entering.

The Dancing Devils Society is organized in a definite hierarchy, with the number of horns (cachos) representing the rank of the dancer.  Each wears a red suit with a crucifix or image of a saint, with a rosary on the belt, and carries rattles (maracas) or, in the case of the lead devil, one rattle looking like a devil’s head and a whip (látigo).  The First Devil (primer capataz) is the leader and has four horns.  The second and third devils (segundo and tercero capataz) have three horns.  Lesser devils (promeseros) have two horns.  All are male; females can participate, but they cannot wear masks.  Instead, they wear the red suit with a red kerchief on their heads.

This mask was made by the well-known dancer “El Mocho,” known as such for having lost four fingers on his left hand while setting off fireworks as a child.

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TITLE: Mardi Gras Krewe Officer Masks
TYPE: face masks
GENERAL REGION: North America
COUNTRY: United States of America
SUB-REGION: New Orleans, Louisiana
ETHNICITY: Mixed
DESCRIPTION: Pair of Mardi Gras Krewe Officer Masks
CATALOG ID (green): NAUS053
CATALOG ID (white): NAUS054
MAKER: Unknown
CEREMONY: Mardi Gras
AGE: 1950s
MAIN MATERIAL: dyed satin cloth
OTHER MATERIALS: linen; adhesive; stitching

In Catholic practice, Mardi Gras (“Fat Tuesday”) is the last day of celebration of Carnival before the fasting period of Lent. In the United States, the holiday is nowhere more vigorously celebrated than in New Orleans, Louisiana. There, a two-week Carnival season terminating on Mardi Gras is celebrated with parades composed of elaborate costumes and masks, floats, marching bands, all organize by private “krewes” composed of public-spirited citizens dedicated to preserving the Mardi Gras tradition. Krewes tend to have a fairly constant structure of officers, who frequently ride horseback in handsome costumes and draped masks, float riders who chuck “throws,” or small gifts such as plastic beaded necklaces, toys, or mementos (usually with the krewe’s name and insignia) into the cheering crowds, and a guest “king” and “queen” of the krewe.

Mardi Gras in New Orleans is also typically celebrated with formal balls held by the krewes in honor of the king and queen, and to celebrate the season.  Mask wearing among street celebrants is common as well. Traditionally, Mardi Gras masks are made of formed and painted leather, and can represent any character from real life or fantasy.  In modern practice, cheap masks mass manufactured of sequined cloth or paper maché covered in dyed feathers have become common.

These masks are the kind normally worn by officers of the krewe who are charged with organizing the parade every year.  Among the older krewes, the officers ride horses, wearing elaborate headdresses with feathers.  The mask they wear is nearly always a cloth “domino” type mask with a veil over the mouth to allow relatively unimpeded talking and drinking. Other participants, such as float riders and celebrities, may wear similar masks.

In modern times, the masks are usually more elaborately decorated that these, which date from the 1950s.


Click above to watch a short documentary about Mardi Gras in New Orleans, Louisiana in 2019 and 2020.

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TITLE: Halloween Dark Harvest Mask
TYPE: face mask
GENERAL REGION: North America
COUNTRY: United States of America
SUBERGION: Hollywood
ETHNICITY: Mixed
DESCRIPTION: “Dark Harvest” Jack-o-Lantern Mask
CATALOG ID: NAUS013
MAKER: California Costume Collections, Inc., Los Angeles, California
CEREMONY: Halloween
AGE: 1990s
MAIN MATERIAL: foam rubber
OTHER MATERIALS: resin; plastic; paint; elastic straps

Halloween is one of the major secular festivals in the United States, celebrated on October 31st each year.  It originated in pre-Christian times, possibly among the ancient Celts, who practiced Samhain in late fall by wearing frightening costumes and lighting bonfires in mid-autumn to scare away ghosts. In the eighth century, Pope Gregory III declared November 1st as a day to honor all the saints collectively. The celebration prior to this All Saints Day became known as All Hallows’ Eve (hence the shortened name, All Hallowe’en, eventually elided to Halloween), and involved many of the same traditions practiced by the Celts.

Halloween formerly had many traditions that varied by region.  In modern and relatively homogenized practice, Halloween generally has three main components: costumed parties, “trick-or-treating,” and haunted houses.  Costumed parties are the modern descendant of social activities designed to honor the saints and create solidarity in the community. Children’s parties typically involved games with prizes, such as bobbing for apples and carving pumpkins and other relatively dry squash into frightening “jack-o-lanterns” with candles inside for illumination.  Adult parties commonly involve less innocent games and elaborate decorations to create a scary mood.

Trick-or-treating is the children’s practice of wearing scary costumes to extort candy and other sweets from neighbors. Like roaming goblins, the monsters visiting the house would demand a treat or threaten to play a nasty trick on the neighbor. The threat is of course a formality, as sharing candy with trick-or-treaters is considered a mandatory practice for friendly and community-spirited neighbors. In modern practice, many children have abandoned the tradition of wearing frightening costumes and have leaned toward fantasy characters such as superheroes, princesses, and fairies.

Haunted houses are a relatively modern innovation.  They may be designed and staffed by volunteers or for profit, and generally take the form of a decrepit mansion haunted by ghosts, mad scientists, monsters, the walking dead, etc. The idea is to inspire terror and wonder in a factually safe environment.

In addition, many Americans celebrate by watching horror movies (the release of which Hollywood times to coincide with the Halloween season), and in some regions, most notably Greenwich Village, Manhattan in New York and Salem, Massachusetts, major costumed parades are organized each year.  In many cities, “zombie walks” composed of masses of costumed zombies have been organized as well.

Popular masks and costumes include devils, zombies, skeletons, vampires, werewolves, mummies, witches, pirates, political figures, and characters from popular culture, such as Frankenstein’s monster. However, Halloween costumes can include almost anything, including inanimate objects and abstractions.  The choice is limited only by the imagination of the masquerader.  Masks and costumes depicting offensive racial stereotypes, popular prior to the 1980s, are no longer widely used.

This specific mask was mass produced by a high-end Halloween mask producer in California.

For more on 20th century American Halloween costumes, see Phyllis Galembo, Dressed for Thrills: 100 Years of Halloween Costumes and Masquerade (New York: Harry N. Abrams Inc., 2002).

Click above to watch a video about Halloween in the United States.

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TITLE: Otomí Devil Mask
TYPE: face mask
GENERAL REGION: Latin America
COUNTRY: Mexico
SUBREGION: Queretaro
ETHNICITY: Otomí
DESCRIPTION: Diablo (Devil) Mask
CATALOG ID: LAMX108
MAKER: Unknown
CEREMONY: Semana Santa (Holy Week)
AGE: 1970s
MAIN MATERIAL: wood
OTHER MATERIALS: hardware; goat horns; oil-based paint

During Semana Santa (Holy Week) in the small mountain town of El Doctor, Queretaro, townspeople reenact the Passion of Jesus Christ in a unique manner. Participants wear stiff cloth animal masks, known as fariseos (Pharisees) or judios (Jews) and persecute a person who portrays the torture and crucifixion of Jesus of Nazareth. The fariseos make jokes and mock Jesus, but in the end are converted to Christianity when Jesus is portrayed as resurrected.  Fariseos tend to resemble animals, implying that the Pharisees are bestial.  This specific mask represents a devil (diablo), who encourages the fariseos.

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TITLE: Bedouin Battoulah
TYPE: face veil
GENERAL REGION: Middle East
COUNTRY: Yemen
ETHNICITY: Arabic
DESCRIPTION: Bedouin Woman’s Battoulah (Veil Mask)
CATALOG ID: MEYE001
MAKER: Unknown
FUNCTION: social control; status
AGE: 1970s
MAIN MATERIAL: dyed cloth
OTHER MATERIALS: dyed cloth; stitching; turquoise pebbles; coral; pearls; silver decorations; gold beads

Arabic women living in rural areas or hewing to old traditions continue to wear the battoulah, a partial veil mask, throughout the Persian Gulf region.  Although the tradition has fallen out of favor among younger and urban Arabic women, some continue to wear it to indicate their status as married or to avoid unwanted attention. In the distant past, the mask was gold or red in color, but today black and silver predominate.

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TITLE: Bedouin Niqab
TYPE: face veil
GENERAL REGION: Middle East
COUNTRY: Egypt
SUBREGION: Siwa Oasis
ETHNICITY: Berber
DESCRIPTION: Berber Bedouin Woman’s Niqab (Veil Mask)
CATALOG ID: MEEG002
MAKER: Unknown
FUNCTION: celebration; social control
AGE: 1980s
MAIN MATERIAL: cotton cloth
OTHER MATERIALS: beads; silver coins; brass coins; silver plates; metal chains; stitching

In the western desert of Egypt, Berber women living in Bedouin societies sometimes wear masks or veils called niqab. The veils serve multiple functions, including protecting the women’s face from sun damage, filtering dust from the air, displaying adornment, and demonstrating wealth or status. The veil may also allow men to exercise social control over women’s bodies, maintaining their status as proprietary to fathers and husbands.  Not all Bedouian societies use the niqab, but those that do generally begin the practice after the woman or girl has been married.

The niqab worn by Bedouin women on special occasions are sometimes elaborately decorated with coins and beads, like this one.  Such masks are not for everyday use; they would be too hot and heavy. They are worn during special events, such as weddings and feasts.  This one comes from the Berber people in the Siwa Oasis, in the western Egyptian desert.

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